verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Share
Share to social media
URL
https://64.176.36.150/art/tondo-art
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Print
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Share
Share to social media
URL
https://64.176.36.150/art/tondo-art
viewers observing Michelangelo's The Holy Family
viewers observing Michelangelo's The Holy Family
Italian:
“round”
Plural:
tondi
Key People:
Michelangelo
Related Topics:
art

tondo, a circular painting, relief carving, plaque, or mural design. The tondo, which became popular in Italy during the 15th century, was derived from round reliefs of subjects such as the Madonna and Child that had been used in wall tombs. Circular reliefs were developed successfully as glazed terra-cotta medallions by Luca della Robbia in the mid-15th century. Sandro Botticelli painted a number of tondi, including The Madonna of the Magnificat and The Madonna of the Pomegranate (both in the Uffizi Gallery, Florence). About 1506 or 1508, Michelangelo used the form for a painting of the Holy Family (Uffizi) commissioned by the Doni family.

This article was most recently revised and updated by Richard Pallardy.