History & SocietyScience & TechBiographiesAnimals & NatureGeography & TravelArts & CultureGames & QuizzesVideosOn This DayOne Good FactDictionaryCompanionsDemystifiedImage GalleriesInfographicsListsPodcastsSpotlightSummariesThe ForumTop Questions#WTFact100 WomenBritannica KidsSaving EarthSpace Next 50Student Center
Britannica Money
Subscribe Now
Table of Contents

Motion Picture Patents Company

American company
Also known as: Edison Trust, MPPC, Movie Trust, The Trust
Written and fact-checked byThe Editors of Encyclopaedia Britannica
The Editors of Encyclopaedia Britannica
Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. They write new content and verify and edit content received from contributors.
Table of Contents
also called:
Movie Trust, Edison Trust, or The Trust
Date:
1908 - 1917
Areas Of Involvement:
film
monopoly and competition
industry

Motion Picture Patents Company, trust of 10 film producers and distributors who attempted to gain complete control of the motion-picture industry in the United States from 1908 to 1912. The original members were the American companies Edison, Vitagraph, Biograph, Essanay, Selig, Lubin, and Kalem; and the French companies Pathé, Méliès, and Gaumont. The company, which was sometimes called the Movie Trust, possessed most of the available motion-picture patents, especially those of Thomas A. Edison, for camera and projection equipment. It entered into a contract with Eastman Kodak Company, the largest manufacturer of raw film stock, to restrict the supply of film to licensed members of the company.

How Thomas Edison changed the world.
© American Chemical Society (A Britannica Publishing Partner)

The company was notorious for enforcing its restrictions by refusing equipment to uncooperative filmmakers and theatre owners and for its attempts to terrorize independent film producers. It limited the length of films to one and two reels (10 to 20 minutes) because movie audiences were believed incapable of enjoying more protracted entertainment. The company also forbade the identification of actors because popular entertainers might demand higher salaries. By 1912, however, the success of European and independent producers and the violent opposition of filmmakers outside the company weakened the Movie Trust, which, in 1917, was dissolved by court order. The Movie Trust, which was based in New York and other cities of the East Coast, was indirectly responsible for the establishment of Hollywood, Calif., as the nation’s film capital, since many independent filmmakers migrated to the latter town to escape the Trust’s restrictive influence in the East.