The Treaty of Kiel

Swedish foreign policy was erratic during those years, but Denmark-Norway remained an ally of Napoleon I until 1814. After Napoleon’s defeat at the Battle of Leipzig (1813), Sweden repeated its 17th-century strategy by attacking Denmark from the south. With the Treaty of Kiel (January 14, 1814), Denmark gave up all its rights to Norway to the king of Sweden. It did not, however, relinquish its rights to the old Norwegian dependencies of Iceland, the Faroes, and Greenland, as England strongly opposed any buildup of Swedish power in the North Atlantic.

The Danes did not intend for this agreement to end the union with Norway. Officially loyal to the Treaty of Kiel, the Danish government worked for the eventual return of Norway. This probably is why the crown prince Christian Frederick (later Christian VIII of Denmark), governor of Norway, colluded with the Danish king in organizing a rising against the Treaty of Kiel. In doing so he needed support in Norway, and he thus came to rely on two political forces, each with regionalist aims. The larger faction consisted of civil servants and peasants who were loyal to Copenhagen but traditionally in opposition to its centralizing policy. The other was the small but important group of timber merchants in eastern Norway who wanted independence from Copenhagen for their trade with western Europe. Since 1809 they had conspired for a union between Sweden and Norway.

This was the main background of a constituent assembly called by Christian Frederick to meet at Eidsvoll, 30 miles north of Christiania. It drew up the constitution of May 17, 1814 (which still exists), and elected Christian to the throne of Norway.

Union with Sweden

Norwegian independence got no support from the Great Powers, and Sweden attacked Norway in late July 1814. After a brief war of 14 days, Christian resigned. Jean Bernadotte (later known as Charles XIV John; called Karl Johan in Sweden and Norway), the Swedish crown prince, accepted the Norwegian constitution and thus could no longer argue on the basis of the Treaty of Kiel. This was of the greatest political importance to the Norwegians. As a constitutional monarchy, Norway entered the union with Sweden in November 1814. Only minor modifications were made in its constitution—the king and foreign policy would be common; the king would be commander in chief of Norway’s armed forces, which could not be used outside Norway without Norwegian consent; and a government in Christiania (with a section in Stockholm) and the Storting (Norwegian parliament) would take care of national affairs.

For Norway the Treaty of Kiel meant secession from Denmark, the forming of its own separate state with complete internal self-government, and a political centre in Christiania. The history of Norway during the 19th century is marked by the struggle to assert its independence from Sweden within the union and its attempts to develop a modern Norwegian culture. It was a time when an unmistakably national cultural identity emerged, which continued to take shape in the 20th century, based on the foundations of the independent Norwegian state of the Middle Ages. Individuals associated with the rise of a distinct Norwegian culture include the mathematicians Niels Henrik Abel and Sophus Lie, the physical scientists Christopher Hansteen and Vilhelm Bjerknes, the composer Edvard Grieg, the creator of modern realistic drama Henrik Ibsen, the poets Henrik Arnold Wergeland and Bjørnstjerne Martinius Bjørnson, the historians Peter Andreas Munch and Johan Ernst Sars, the explorer and statesman Fridtjof Nansen, and the expressionist painter Edvard Munch.

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