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Writers of the Harlem Renaissance

Question: Regina M. Anderson was which of the following?
Answer: Anderson’s home was also an important meeting place for the writers and artists of the Harlem Renaissance during the 1920s.
Question: What was Langston Hughes’s first book of poetry?
Answer: Hughes published The Weary Blues in 1926, a year after he won a poetry prize from Opportunity magazine.
Question: How did the magazine Opportunity generate interest in African American writing during the 1920s and ’30s?
Answer: Among the winners of one of Opportunity’s earliest contests were Zora Neale Hurston, Langston Hughes, and Countee Cullen.
Question: Who, in 1930, became the first black woman to win a Guggenheim fellowship?
Answer: Larsen wrote two novels, Quicksand (1928) and Passing (1929), but she did not publish again after 1930.
Question: Who wrote the novel Their Eyes Were Watching God?
Answer: Hurston’s Their Eyes Were Watching God, published in 1937, is one of the most important works of the Harlem Renaissance.
Question: Which prominent poet of the Harlem Renaissance was also a schoolteacher from 1934 until his death, in 1946?
Answer: Cullen taught in New York City public schools.
Question: Who wrote the novel Cane?
Answer: Toomer published Cane in 1923. An experimental novel, it uses poetry and prose to depict the African American experience in the North and South.
Question: Which literary magazine deeply influenced the Harlem Renaissance despite collapsing after only one issue?
Answer: Fire!! was created by Langston Hughes and Richard Nugent. Its only issue was published in November 1926.
Question: Where was Claude McKay born?
Answer: McKay was born in Nairne Castle, Jamaica, in 1889. He was in the vanguard of the Harlem Renaissance, and his novel Home to Harlem (1928) was widely read.
Question: Who edited the magazine The Crisis from 1919 to 1926?
Answer: Fauset published the work of many of the Harlem Renaissance’s most-prominent writers, including Langston Hughes, Countee Cullen, and Claude McKay.
Question: Who compiled The New Negro (1925), an anthology that helped to familiarize Americans with the Harlem Renaissance?
Answer: Locke’s The New Negro brought together fiction, poetry, drama, and essays. He was a supporter and interpreter of the Harlem Renaissance throughout his life.