Albrecht Dürer, (born, May 21, 1471, Imperial Free City of Nürnberg—died April 6, 1528, Nürnberg), German painter and printmaker. He worked as a draftsman in his father’s goldsmith workshop before being apprenticed at 15 to a painter and illustrator in his native Nürnberg. He opened his own workshop c. 1494 and began producing woodcuts and copper engravings. His extensive travel took him twice to Italy; Italian influence can be seen in such engravings as The Four Witches (c. 1497) and Adam and Eve (1504). He became known for his penetrating half-length portraits and self-portraits. In 1506, in Venice, he completed his great altarpiece The Feast of the Rose Garlands for the German chapel in the church of San Bartolommeo. Later important graphic works include his famous Passion series of copperplate engravings (1507–13) as well as his greatest engravings: St. Jerome in His Study, Melencolia I and The Knight, Death, and the Devil (1513–14). Back in Nürnberg he worked for Emperor Maximilian I (1512–19). By 1515 he had achieved international fame. In 1518 he became a devoted follower of Martin Luther. His finest painting is the Four Apostles of 1526. He was the greatest Renaissance artist in northern Europe and had many pupils and imitators.
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etching Summary
Etching, a method of making prints from a metal plate, usually copper, into which the design has been incised by acid. The copperplate is first coated with an acid-resistant substance, called the etching ground, through which the design is drawn with a sharp tool. The ground is usually a compound
drawing Summary
Drawing, the art or technique of producing images on a surface, usually paper, by means of marks, usually of ink, graphite, chalk, charcoal, or crayon. Drawing as formal artistic creation might be defined as the primarily linear rendition of objects in the visible world, as well as of concepts,
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colours, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light
printmaking Summary
Printmaking, an art form consisting of the production of images, usually on paper but occasionally on fabric, parchment, plastic, or other support, by various techniques of multiplication, under the direct supervision of or by the hand of the artist. Such fine prints, as they are known