Benvenuto Cellini, (born, Nov. 1, 1500, Florence—died Feb. 13, 1571, Florence), Italian sculptor and goldsmith active principally in Florence. Early in his career he worked in Rome, producing coins, medallions, seals, vessels, and a variety of other objects in precious and semiprecious metals. In 1540 he began his most famous work of this type, a gold saltcellar encrusted with enamel, for Francis I at Fontainebleau; other royal commissions followed. For Cosimo I he produced large-scale sculpture in the round; the bronze Perseus (1545–53) in the Loggia dei Lanzi in Florence is his masterpiece. His fame owes as much to his autobiography as to his work as an artist; it achieved immediate popularity for its lively account of his tumultuous life and its vivid picture of Renaissance Italy.
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Mannerism Summary
Mannerism, (from maniera, “manner,” or “style”), artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590. The Mannerist style originated in Florence and Rome and spread to northern Italy and, ultimately, to much
medal Summary
Medal, piece of metal struck with a design to commemorate a person, place, or event. Medals can be of various sizes and shapes, ranging from large medallions to small plaques, or plaquettes. Most medals are made of gold, silver, bronze, or lead, the precious metals being used for the finer
sculpture Summary
Sculpture, an artistic form in which hard or plastic materials are worked into three-dimensional art objects. The designs may be embodied in freestanding objects, in reliefs on surfaces, or in environments ranging from tableaux to contexts that envelop the spectator. An enormous variety of media
metalwork Summary
Metalwork, useful and decorative objects fashioned of various metals, including copper, iron, silver, bronze, lead, gold, and brass. The earliest man-made objects were of stone, wood, bone, and earth. It was only later that humans learned to extract metals from the earth and to hammer them into