Camille Pissarro, (born July 10, 1830, St. Thomas, Danish West Indies—died Nov. 13, 1903, Paris, France), West Indian-born French painter. The son of a prosperous Jewish merchant, he moved to Paris in 1855. His earliest canvases are broadly painted figure paintings and landscapes; these show the careful observation of nature that was to remain a characteristic of his art. In 1871 he took a house in Pontoise, in the countryside outside Paris. These surroundings formed the theme of his art for some 30 years. Pissarro’s leading motifs during the 1870s and 1880s were houses, factories, trees, haystacks, fields, labouring peasants, and river scenes. In these works, forms do not dissolve but remain firm, and colours are strong; during the latter part of the 1870s his comma-like brushstrokes frequently recorded the sparkling scintillation of light. These works were admired by the Impressionist artists; Pissarro was the only Impressionist painter who participated in all eight of the group’s exhibitions. Despite acute eye trouble, his later years were his most prolific.
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Impressionism Summary
Impressionism, a broad term used to describe the work produced in the late 19th century, especially between about 1867 and 1886, by a group of artists who shared a set of related approaches and techniques. The founding Impressionist artists included Claude Monet, Pierre-Auguste Renoir, Camille
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colours, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light
printmaking Summary
Printmaking, an art form consisting of the production of images, usually on paper but occasionally on fabric, parchment, plastic, or other support, by various techniques of multiplication, under the direct supervision of or by the hand of the artist. Such fine prints, as they are known