Cimabue , orig. Benciviene di Pepo, (born before 1251—died 1302), Florentine painter and mosaicist. He is documented as a master painter in Rome in 1272. It is assumed that he was apprenticed to an Italo-Byzantine painter, since he was strongly influenced by the Greek Byzantine style. Though a number of works are attributed to him, the only one dated is the mosaic of St. John the Evangelist (1301–02) in Pisa Cathedral. He was the outstanding master of his generation and began the movement toward greater realism that culminated in the Renaissance. His style influenced Giotto and Duccio. Cimabue’s character may be reflected in his name, which can best be translated as “bullheaded.”
Cimabue Article
Cimabue summary
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Byzantine art Summary
Byzantine art, architecture, paintings, and other visual arts produced in the Middle Ages in the Byzantine Empire (centred at Constantinople) and in various areas that came under its influence. The pictorial and architectural styles that characterized Byzantine art, first codified in the 6th
mural Summary
Mural, a painting applied to and made integral with the surface of a wall or ceiling. The term may properly include painting on fired tiles but ordinarily does not refer to mosaic decoration unless the mosaic forms part of the overall scheme of the painting. Mural painting is inherently different
mosaic Summary
Mosaic, in art, decoration of a surface with designs made up of closely set, usually variously coloured, small pieces of material such as stone, mineral, glass, tile, or shell. Unlike inlay, in which the pieces to be applied are set into a surface that has been hollowed out to receive the design,
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colours, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light