Eugène Delacroix, (born April 26, 1798, Charenton-Saint-Maurice, France—died Aug. 13, 1863, Paris), French painter. As a young man he was strongly influenced by the Romanticism of the painter Théodore Géricault and the Polish-born composer and pianist Frédéric Chopin. In 1822 he exhibited the painting Dante and Virgil in Hell, a landmark in the development of French 19th-century Romanticism. In his subsequent choice of subjects, Delacroix often showed an affinity with Lord Byron and other Romantic poets of his time. His work was characterized by an uninhibited expression of energy and movement, a fascination with violence, destruction, and the more tragic aspects of life, and a sensuous use of colour. After his success at the Paris Salon, he was commissioned to decorate government buildings; he became one of the most distinguished monumental mural painters in the history of French art. He explored the new medium of lithography and in 1827 executed 17 lithographs for an edition of Faust. In 1830 he painted Liberty Leading the People to commemorate the July Revolution that brought Louis-Philippe to the French throne. His use of colour influenced the development of Impressionism.
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Romanticism Summary
Romanticism, attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century. Romanticism can be seen as a rejection of the precepts of
Louvre Summary
Louvre, national museum and art gallery of France, housed in part of a large palace in Paris that was built on the right-bank site of the 12th-century fortress of Philip Augustus. It is the world’s most-visited art museum, with a collection that spans work from ancient civilizations to the mid-19th
oil painting Summary
Oil painting, painting in oil colours, a medium consisting of pigments suspended in drying oils. The outstanding facility with which fusion of tones or colour is achieved makes it unique among fluid painting mediums; at the same time, satisfactory linear treatment and crisp effects are easily
mural Summary
Mural, a painting applied to and made integral with the surface of a wall or ceiling. The term may properly include painting on fired tiles but ordinarily does not refer to mosaic decoration unless the mosaic forms part of the overall scheme of the painting. Mural painting is inherently different