George Frideric Handel, orig. Georg Friedrich Händel, (born Feb. 23, 1685, Halle, Brandenburg—died April 14, 1759, London, Eng.), German-born British composer. Born to a barber-surgeon in Halle, he showed a marked gift for music and studied organ, violin, and composition. He moved to Hamburg in 1703 and played in the opera orchestra under Reinhard Keiser (1674–1739), and his first opera was produced there in 1705. A Medici prince invited him to Florence; there and in Rome, patronized by cardinals and nobility, he wrote oratorios, cantatas, and more operas. Hired as kapellmeister by the elector at Hannover (1710), he asked permission to visit London before assuming his responsibilities. There his opera Rinaldo (1711) immediately made his name; forsaking Hannover, he remained in England for the rest of his life. In 1714 the German elector was made George I of England; any annoyance at Handel’s defection dissipated, and the king became one of his patrons. Handel was appointed musical director of the new Royal Academy of Music, an opera house that thrived until the public taste shifted away from Italian opera. In 1732 he revised his oratorio Esther for a public performance, the first public oratorio performance in England. Its success was followed by many more English-language oratorios, including his great Messiah (1741); by this time he had made oratorio and large-scale choral works the most popular musical forms in England. He was renowned as virtually the greatest organist and harpsichordist in the world. Handel wrote about 45 Italian operas, including Giulio Cesare (1723), Orlando (1733), and Alcina (1735). His oratorios include Israel in Egypt (1739), Saul (1739), and Jephtha (1752). His church music includes the Chandos Anthems (1718) and Coronation Anthems (1727). Though the bulk of his music was vocal, he composed a number of great orchestral works, such as the famous Water Music (1717) and Royal Fireworks Music (1749).
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cantata Summary
Cantata, (from Italian cantare, “to sing”), originally, a musical composition intended to be sung, as opposed to a sonata, a composition played instrumentally; now, loosely, any work for voices and instruments. The word cantata first appeared in the Italian composer Alessandro Grandi’s Cantade et
organ Summary
Organ, in music, a keyboard instrument, operated by the player’s hands and feet, in which pressurized air produces notes through a series of pipes organized in scalelike rows. The term organ encompasses reed organs and electronic organs but, unless otherwise specified, is usually understood to
oratorio Summary
Oratorio, a large-scale musical composition on a sacred or semisacred subject, for solo voices, chorus, and orchestra. An oratorio’s text is usually based on scripture, and the narration necessary to move from scene to scene is supplied by recitatives sung by various voices to prepare the way for
fugue Summary
Fugue, in music, a compositional procedure characterized by the systematic imitation of a principal theme (called the subject) in simultaneously sounding melodic lines (counterpoint). The term fugue may also be used to describe a work or part of a work. In its mathematical intricacy, formality,