Tallulah Bankhead, (born Jan. 31, 1902, Huntsville, Ala., U.S.—died Dec. 12, 1968, New York, N.Y.), U.S. film and stage actress. Born to a prestigious family (her father became a prominent congressman), she made her Broadway debut in 1918 and achieved fame on the London stage in The Dancer (1923). Her vivid presence and throaty voice contributed to her singular performances in the hit plays The Little Foxes (1939), The Skin of Our Teeth (1942), and Private Lives (1946). She made films such as A Woman’s Law (1928) and Alfred Hitchcock’s Lifeboat (1944) but remained primarily a stage performer. Her final stage appearance was in The Milk Train Doesn’t Stop Here Anymore (1964).
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acting Summary
Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or
film Summary
Film, series of still photographs on film, projected in rapid succession onto a screen by means of light. Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous movement. (Read Martin Scorsese’s Britannica essay on film