chamber music summary

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Below is the article summary. For the full article, see chamber music.

chamber music, Music composed for small instrumental ensembles and performed without a conductor. Traditionally intended for performance in a room or reception hall, often solely for the performers’ own pleasure, chamber music is now often heard in concert halls. It began with the 16th-century instrumental consort and long continued to be associated with aristocratic households. The duo sonata (usually for violin and continuo) and trio sonata appeared in early 17th-century Italy. The string quartet arose in the 1750s and remains the best-known chamber genre and ensemble. The serenade, nocturne, and divertimento were Classical genres for varying instrumental forces, often intended to accompany meals and other activities. Standard ensembles include the string trio (violin, viola, cello), string quintet (two violins, two violas, cello), and piano trio (piano, violin, cello). The chamber orchestra, usually with fewer than 25 musicians, is often used for 18th-century music and usually requires a conductor. See also sonata.

Wilhelm Friedemann Bach, drawing by P. Gulle, 1783; in the Staatsbibliothek, Berlin

Wilhelm Friedemann Bach Summary

Wilhelm Friedemann Bach was the eldest son of J.S. and Maria Barbara Bach, and a composer during the period of transition between Baroque and Rococo styles. W.F. Bach’s musical instruction was primarily from his father (who wrote for him, when he was ten, the charming Klavier-büchlein vor Wilhelm

Heitor Villa-Lobos Summary

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Pierre Boulez Summary

Pierre Boulez was the most significant French composer of his generation, as well as a noted conductor and music theorist who championed the work of 20th-century composers. Boulez, the son of a steel manufacturer, majored in mathematics at the Collège de Saint-Étienne, where he also took music

John Adams Summary

John Adams American composer and conductor whose works were among the most-performed of contemporary classical music. Adams became proficient on the clarinet at an early age (sometimes freelancing with the Boston Symphony Orchestra and performing with other groups) and by his teenage years was