Western theatre - Expressionism, Germany, Drama

Western theatre

Table of Contents

Introduction
The origins of Western theatre
- Pre-Classical antiquity
  - Nature worship
  - Shamanism
- Ancient Egypt
- Ancient Greece
  - Dramatic genres
  - The theatre
- Ancient Rome
  - Native traditions
  - Imitation of Greek models
  - Seeds of decay
  - Mime and pantomime
Medieval theatre
- Popular traditions and secular theatre
- Liturgical drama
- Mystery cycles
- Morality plays
- Interludes
Renaissance theatre
- Classical revival
- The Renaissance stage
- Major theatrical styles, tendencies, and forms
  - Italian Neoclassicism
  - Courtly entertainments
  - Opera
  - Commedia dell’arte
  - Jesuit theatre and school drama
  - Spain’s Golden Age
  - English theatre
    - Elizabethan theatre
    - Jacobean theatre
  - German theatre
  - French Neoclassicism
  - Spread of national theatres
  - Ballet and opera-ballet
  - Restoration theatre
The 18th century theatre
- Middle-class drama
- The beginnings of American theatre
The 19th-century theatre
- The Romantic theatre
  - Melodrama
  - The early 19th century
  - Rise in the number of theatres
  - Romantic realism
  - The actor-manager
- Movement toward realism
  - Naturalism
  - Théâtre-Libre
  - Freie Bühne
  - The independent theatre
  - Moscow Art Theatre
- The American theatre
- Popular entertainment
Theatre of the 20th century and beyond
- After realism
  - The new stagecraft
  - Russia
  - Italy
  - Expressionism in Germany
  - Avant-garde in France
  - Ireland
  - Great Britain
  - United States
- Post-World War II theatre
  - Avant-garde experiments
    - The epic theatre of Brecht
    - Theatre of Fact
    - Theatre of the Absurd
    - Theatre of Cruelty
    - Poor theatre
  - United States
    - Broadway
    - Off-Broadway
    - Off-Off Broadway and regional theatre
    - African American, Asian, and Hispanic companies
    - Women’s companies and gay and lesbian theatre
  - Great Britain
    - Alternative theatre
    - National theatres
    - Government subsidies
    - Regional theatre
  - Australia, New Zealand, and Canada
  - France
  - Germany
  - Theatre under the Soviet Union
  - Other European countries

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The term Expressionism was coined at the beginning of the 20th century to describe a style of painting that reacted violently against late 19th-century naturalism and Impressionism. Applied to the theatre, it represented a protest against the existing social order. Initially it was concerned with spirit rather than with matter, and typically it sought to get to the essence of the subject by grossly distorting outward appearance or external reality. This “subjective” first phase of Expressionism began in Germany about 1910, though its forerunners had appeared earlier in the plays of Wedekind and in Strindberg’s Ett drömspel, which put realistic ...(100 of 31765 words)

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