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Until the 17th century, Japanese painting was completely dominated by Chinese influence. The Japanese silk paintings and screens of idealized landscapes were hardly distinguishable from their Chinese counterparts. Then, in the early 17th century, an artist of aristocratic origin, Iwasa Matabei, started to paint images related to his environment and personal experience. Although this era of Japanese art history is rather obscure, he is credited with being one of the founders (along with Iwasa Matabei II and Iwasa Matabei of Otsu) of ukiyo-e, whose woodcuts of the “floating world” or the world of everyday life represented a drastic break with ...(100 of 20091 words)