Festivals and holidays

Traditionally, most holidays in Spain have been religious in origin. At the national level the most important of these are Holy (or Maundy) Thursday, Good Friday, Easter Monday, Corpus Christi, the Feast of Saint James (July 25), and All Saints’ Day (November 1). The most important day of the Christmas period, and the day on which children receive presents, is the Day of the Three Kings, or Epiphany (January 6).

By contrast, nonreligious, civic holidays have been relatively insignificant. The Franco regime declared July 18, the day on which the Spanish Civil War began, a national holiday, but that was abandoned after the demise of the regime. Since 1978 the official national holiday has been Constitution Day (December 6). Catalonia and the Basque Country have their own official “national” holidays, and each of the autonomous communities celebrates itself with a regional holiday.

One important holiday is both religious and civic. October 12 is the Day of the Virgin of El Pilar and also the day on which the “discovery” of America is celebrated (a counterpart to the celebration of Columbus Day in the United States); it has been called at different times the Day of the Race (Día de la Raza) and Hispanic Day (Día de la Hispanidad).

Every village and town has its own annual holiday fiesta, and these are probably the most important holidays in the daily lives of the Spanish people. These holidays are religious in origin, honouring the local patron saint or the Virgin Mary, but the religious component is often much less important than the dancing and bullfights that take place. Some of these celebrations, such as the Fiesta de San Fermín in Pamplona (with its famous running of the bulls), the Sevilla fair, and the Fallas of Valencia, have become internationally famous and have turned into major tourist attractions. A thoroughly secular, unique festival is held in the little town of Buñol, near Valencia, where each August thousands of residents and visitors gather to hurl tomatoes at one another. The festival, called La Tomatina, began as a symbolic repudiation of harsh rule during the Franco era. It now celebrates the summer tomato harvest, but it is also a fine excuse to drink red wine, eat paella, and enjoy one another’s company.

Music

Spain’s contributions to world culture are many, but none has been so universally well-accepted as its musical heritage, especially that of music performed on stringed instruments. Noteworthy Spanish composers include Fernando Sor (1778–1839), Isaac Albéniz, Enrique Granados, Manuel de Falla, and Joaquín Rodrigo, all of whom drew heavily on popular and regional music for their inspiration. In the hands of Spanish composers, the guitar moved from Rom (Gypsy) folk instrument to a staple of symphonies; from Spain have come such masters as Manitas de Plata, Andrés Segovia, Paco de Lucia, and countless flamenco and classical artists of great distinction. The flamenco tradition, derived from a marriage of Arabic and Spanish folk songs, carried over into southern Spain’s unique “Rock Andaluz” movement of the 1970s and ’80s, centred in Sevilla. In the 1990s Ibiza, a popular holiday destination in the Balearic Islands, emerged as a global capital of electronic music. Electronic artists and disc jockeys from around the world converge on the island each summer to perform at night clubs and private parties, and music-related tourism has become a vital part of Ibiza’s economy.

Spain is also well represented in classical opera, with Plácido Domingo, José Carreras, Alfredo Kraus, and Montserrat Caballé among the most renowned singers. The leading classical instrumentalists of the century were cellist Pablo Casals, pianist Alicia de Larrocha, and guitarist Narciso Yepes.

Literature

Spain’s loss of its empire in Latin America following the Spanish-American War (1898) provided the impetus for many Spanish writers, poets, and scholars to restore a sense of national pride. In their work, writers such as José Ortega y Gasset, Pío Baroja, Vicente Blasco Ibáñez, and Antonio Machado y Ruiz examined Spain’s heritage and its role in the modern world. They and others who took up similar concerns came to be known as the Generation of ’98. These writers helped revitalize Spanish letters and opened the doors for Spanish cultural development in the 20th century.

Many of Spain’s 20th-century authors achieved international recognition, including five who won the Nobel Prize for Literature: dramatists José Echegaray (1904) and Jacinto Benavente (1922), poets Juan Ramón Jiménez (1956) and Vicente Aleixandre (1977), and novelist Camilo José Cela (1989).

The most famous writer of the century, however, was poet and playwright Federico García Lorca. Executed by the Nationalists in the early days of the Spanish Civil War, he became a symbol of art perishing at the hands of fascism. García Lorca’s poetry is often couched in illusive symbolism and, like his plays, draws heavily on the folklore of his native Andalusia and especially on that of the Roma (Gypsies), or Gitanos. The suppression of instinct by social convention and the repression of women are the major themes of his plays (perhaps influenced by his own homosexuality), some of which continue to be produced and which inspired two films by Spanish director Carlos Saura in the 1980s.

Among the leading poets of the last half of the 20th century were Leopoldo Panero, Luis Rosales, Blas de Otero, Gabriel Celaya, Juan Luis Panero, Andrés Trapiello, Claudio Rodríguez, José Hierro, and Pedro Gimferrer, who wrote in Catalan as well as in Castilian. Prominent women poets in the late 20th and early 21st centuries included María Victoria Atencia, known for her poetry inspired by domestic situations, for her cultivation of the themes of art, music, and painting, and for her later existentialist contemplations; Pureza Canelo, known especially for her ecological poetry and feminist volumes; Juana Castro; Clara Janés; and Ana Rossetti, noteworthy for her erotic verse. Contemporary Spanish poetry often uses colloquial language and explores intimate and social themes.

During the early 20th century many novelists experimented with form and technique and put less emphasis on plot and character. In the post-Civil War period a new generation of novelists, including Rosa Chacel, Miguel Delibes, and Carmen Laforet, avoided such experimentation and returned to a more traditional approach. Several noted writers, including Camilo José Cela, Luis Martín-Santos, and Rafael Sanchez Ferlosio, focused on postwar social problems.

The late 20th-century novel showed a variety of trends. One was the use of everyday language to tell realistic stories, often based on historical events. At the other extreme were highly intellectual novels by writers such as Juan Benet Goitia and his small group of followers. In addition, some novelists, such as Terenci Moix and, later in his career, Juan Goytisolo, were strongly drawn to non-Western cultures. Among the ranks of leading novelists were Eduardo Mendoza, Carmen Martín Gaite, José Luis Sampedro, Francisco Umbral, Javier Marías, Juan José Millàs, Antonio Muñoz Molina, and Antonio Gala. The detective novel became a popular genre after the 1970s, largely through the influence of Manuel Vázquez Montalbán; the work of his younger contemporary Arturo Pérez-Reverte, who writes both intellectual thrillers and historical novels, has been widely translated.

For further discussion, see Spanish literature.

Theatre

Spain has been an important centre of world theatre since the Roman era, when playwrights such as Lucius Annaeus Seneca, a native of Córdoba, produced popular and enduring works that would exert great influence in the 16th and 17th centuries—the so-called Golden Age. Whereas medieval drama tended to be closely tied to the Roman Catholic Church, focusing on miracle and Passion plays and on religious themes, the pioneering 16th-century dramatist Juan del Encina helped revive classical theatrical forms. During this profoundly inventive period, a national theatre emerged, fuelled by the energies of artists such as Lope de Vega, Guillén de Castro, Tirso de Molina, Pedro Calderón de la Barca, and Miguel de Cervantes.

A time of relative quiet and cultural conservatism followed, as Spanish theatre became a shadow of the French—an irony, given that Pierre Corneille, Jean Racine, and Molière borrowed many themes and characters from Spanish Golden Age originals. To further the irony, it was a French dramatist and stage director, Juan de Grimaldi, who helped revive the Spanish theatre in the 1820s by both translating French plays into Spanish and commissioning new works by Spanish writers. In the 19th and early 20th centuries, playwrights José Echegaray, Gregorio Martínez Sierra, and Jacinto Benavente helped elaborate this identifiably Spanish theatre, which would arguably reach its zenith in the work of Federico García Lorca. Although, as with other aspects of art and culture, the long Franco era discouraged theatrical experimentation, García Lorca’s work informed that of playwrights such as Antonio Buero Vallejo, Antonio Gala, Adolfo Marsillach, Josep María Flotats, and Fernando Fernán Gómez. These and other writers have produced a significant body of theatrical work in Spanish as well as in other national and regional languages, such as Catalan and Basque. Most modern playwrights are active as well in other literary genres and media, such as poetry and filmmaking.

Visual arts

Spain’s most important 20th-century painters and sculptors were all part of the international avant-garde. The most famous, Pablo Picasso, is considered by many to be the most influential European artist of the 20th century. Other leading figures were Juan Gris, Joan Miró, and Salvador Dalí. Among sculptors, the best-known figure internationally was Eduardo Chillida. Among the leading artists of the late 20th and early 21st centuries were the painters Antoni Tàpies, Miguel Barceló, Rafael Canogar, Manuel Millares, and Antonio Saura, along with the sculptors Pablo Serrano, Julio González, Pablo Gargallo, and Alberto Sánchez.