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Greek tragedy was not itself intended as an immediate contribution to political debate, though in its exploration of issues, sometimes by means of rapid question-and-answer dialogue, its debt to rhetoric is obvious (this is particularly true of some plays by Euripides, such as the Phoenician Women or the Suppliants, but also of some by Sophocles, such as Oedipus the King and Philoctetes). It is true that sometimes the chorēgoi, or rich men appointed by one of the archons to finance a particular play, were themselves politicians and that this is reflected in the plays produced. (Themistocles was chorēgos for Phrynichos, ...(100 of 64077 words)