Bertolt Brecht, orig. Eugen Berthold Friedrich Brecht, (born Feb. 10, 1898, Augsburg, Ger.—died Aug. 14, 1956, East Berlin, E.Ger.), German playwright and poet. He studied medicine at Munich (1917–21) before writing his first plays, including Baal (1922). Other plays followed, including A Man’s a Man (1926), as well as a considerable body of poetry. With the composer Kurt Weill he wrote the satirical musicals The Threepenny Opera (1928; film, 1931), which gained him a wide audience, and The Rise and Fall of the City of Mahagonny (1930). In these years he became a Marxist and developed his theory of epic theatre. With the rise of the Nazis he went into exile, first in Scandinavia (1933–41), then in the U.S., where he wrote his major essays and the plays Mother Courage and Her Children (1941), The Life of Galileo (1943), The Good Woman of Sichuan (1943), and The Caucasian Chalk Circle (1948). Harassed for his politics, in 1949 he returned to East Germany, where he established the Berliner Ensemble theatre troupe and staged his own plays, including The Resistible Rise of Arturo Ui (1957). He outlined his theory of drama in A Little Organum for the Theatre (1949).
Bertolt Brecht Article
Bertolt Brecht summary
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Kurt Weill Summary
Kurt Weill German-born American composer who created a revolutionary kind of opera of sharp social satire in collaboration with the writer Bertolt Brecht. Weill studied privately with Albert Bing and at the Staatliche Hochschule für Musik in Berlin with Engelbert Humperdinck. He gained some
Marxism Summary
Marxism, a body of doctrine developed by Karl Marx and, to a lesser extent, by Friedrich Engels in the mid-19th century. It originally consisted of three related ideas: a philosophical anthropology, a theory of history, and an economic and political program. There is also Marxism as it has been
musical Summary
Musical, theatrical production that is characteristically sentimental and amusing in nature, with a simple but distinctive plot, and offering music, dancing, and dialogue. The antecedents of the musical can be traced to a number of 19th-century forms of entertainment including the music hall, comic
directing Summary
Directing, the craft of controlling the evolution of a performance out of material composed or assembled by an author. The performance may be live, as in a theatre and in some broadcasts, or it may be recorded, as in motion pictures and the majority of broadcast material. The term is also used in