Billy Wilder summary

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Billy Wilder, orig. Samuel Wilder, (born June 22, 1906, Sucha, Austria—died March 27, 2002, Beverly Hills, Calif., U.S.), Austrian-born U.S. film director and screenwriter. Working as a reporter in Vienna and Berlin, he wrote screenplays for German films. He fled Germany in 1933 and arrived in Hollywood a year later. He cowrote screenplays with Charles Brackett and established his reputation as a director with Double Indemnity (1944). Noted for his humorous treatment of controversial subjects and his biting indictments of hypocrisy, he also directed The Lost Weekend (1945, Academy Award), Sunset Boulevard (1950, Academy Award for best screenplay), Stalag 17 (1953), and The Apartment (1960, Academy Award). His acclaimed comedies include Sabrina (1954), The Seven Year Itch (1955), Some Like It Hot (1959), and Kiss Me, Stupid (1964).

Academy Award Summary

Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly

film noir Summary

Film noir, style of filmmaking characterized by such elements as cynical heroes, stark lighting effects, frequent use of flashbacks, intricate plots, and an underlying existentialist philosophy. The genre was prevalent mostly in American crime dramas of the post-World War II era. Early examples of

directing Summary

Directing, the craft of controlling the evolution of a performance out of material composed or assembled by an author. The performance may be live, as in a theatre and in some broadcasts, or it may be recorded, as in motion pictures and the majority of broadcast material. The term is also used in

film Summary

Film, series of still photographs on film, projected in rapid succession onto a screen by means of light. Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous movement. (Read Martin Scorsese’s Britannica essay on film