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The choreographic process may be divided for analytical purposes (the divisions are never distinct in practice) into three phases: gathering together the movement material, developing movements into dance phrases, and creating the final structure of the work. The way in which the choreographer accumulates movement material depends on the tradition in which he or she works. In certain dance forms it may be simply a question of creating variations within a traditional pattern of movements. For example, dancing masters in the Italian courts of the 14th and 15th centuries simply invented variations on existing dances and published them in dance ...(100 of 23177 words)