Dance - Choreography, Movement, Expression

dance

Table of Contents

Introduction
The aesthetics of dance
- Basic motives: self-expression and physical release
- Problems in defining dance
  - Defining according to function
  - Distinguishing dance from other patterned movement
  - Defining according to intent
- Dance as dramatic expression or abstract form
  - The debate in the West
  - Dance as a nonverbal language
- Changes in attitude toward dance
Components of the dance
- The dancer
  - Physical requirements
  - The importance of training
  - Differences among dancers
  - From amateur to professional
- Basic steps and formations
  - Ballet and modern dance
  - Folk dance
  - Social dance
- Choreography
  - Choreographers’ motives and methods
  - The three-phase choreographic process
    - Gathering the movement material
    - Developing movements into phrases
    - Creating the final structure
- Dance notation
  - Prominent notation methods
  - Difficulties of notation
- Theatrical elements
  - Rhythm
  - Music
  - Set and design
  - Costume and stage sets in Western theatre dance
  - Drama
    - Cultural distinction between dramatic and formal dance
    - Drama in Western theatre dance
Types of dance
- Theatre dance
  - Ballet
    - Basic characteristics
    - Innovations in the 20th century
  - Modern dance
    - Expressionism
    - Merce Cunningham
    - Postmodernism
    - The musical
  - Indian classical dance
- Tribal and world dance
  - Tribal dance
  - World dance
- Folk dance
- Social dance

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Music, design, and drama have all played important roles in the evolution of dance, and in many cultures dance has actually been inseparable from these arts. The Greek word mousikē, for example, referring to music, poetry, and dance as one form, reflected the integral relation between these three arts in classical Greek drama. In the early European ballets, dance, music, drama, and spectacle were equally inseparable. Even where dance is perceived as an independent art form, most choreography is still accompanied by one or more of these elements. Choreographers generally regard them as integral parts of the works. Sound and ...(100 of 23177 words)

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