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Quite different was the passion play, derived mainly from early Islamic lore and assembled as a sequence of tragedies representing Shiʿi martyrdom. Both the shadow play and the passion play were interlarded with musical prologues, accompaniment, and interludes, but these were not necessarily an integral part, serving rather to create a mood. A preoccupation with religion is characteristic of Persian theatrical performances, and, during the first 10 days of the month of Muḥarram, the martyrdom of ʿAlī’s descendants at the hands of the Umayyads is reenacted. Although these shows are also performed among Shiʿi Turks in Central Asia and Shiʿi ...(100 of 63390 words)

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