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- Middle Period: the rise of Persian and Turkish poetry
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In order to answer whether there is an aesthetic, iconographic, or stylistic unity to the visually perceptible arts of Islamic peoples, it is first essential to realize that no ethnic or geographical entity was Muslim from the beginning. There is no Islamic art, therefore, in the way there is a Chinese art or a French art. Nor is it simply a period art, like Gothic art or Baroque art, for once a land or an ethnic entity became Muslim, it remained Muslim, a small number of exceptions such as Spain or Sicily notwithstanding. Political and social events transformed a number ...(100 of 63390 words)