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“The new philosophy puts all in doubt,” wrote the poet John Donne. Early 17th-century poetry and drama abounded in expressions of confusion and dismay about the world, God, and man. The gently questioning essays of the 16th-century French philosopher Michel de Montaigne, musing on human folly and fanaticism, continued to be popular long after his time, for they were no less relevant to the generation that suffered from the Thirty Years’ War. Unsettling scientific views were gaining a hold. As the new astronomy of Copernicus and Galileo, with its heliocentric view, was accepted, the firm association between religious beliefs, moral ...(100 of 156573 words)